![]() From the 9th century onward, a range of sophisticated geometric patterns based on polygonal tessellation began to appear in Islamic art, eventually becoming dominant. They are one of three forms of Islamic decoration, the others being the arabesque based on curving and branching plant forms, and Islamic calligraphy all three are frequently used together. Islamic geometric patterns are derived from simpler designs used in earlier cultures: Greek, Roman, and Sasanian. Lu and Paul Steinhardt.īackground Islamic decoration Escher in the twentieth century, and among mathematicians and physicists such as Peter J. Interest in Islamic geometric patterns is increasing in the West, both among craftsmen and artists like M. These include kilim carpets, Persian girih and Moroccan zellij tilework, muqarnas decorative vaulting, jali pierced stone screens, ceramics, leather, stained glass, woodwork, and metalwork. Geometric patterns occur in a variety of forms in Islamic art and architecture. The complexity and variety of patterns used evolved from simple stars and lozenges in the ninth century, through a variety of 6- to 13-point patterns by the 13th century, and finally to include also 14- and 16-point stars in the sixteenth century. These may constitute the entire decoration, may form a framework for floral or calligraphic embellishments, or may retreat into the background around other motifs. The geometric designs in Islamic art are often built on combinations of repeated squares and circles, which may be overlapped and interlaced, as can arabesques (with which they are often combined), to form intricate and complex patterns, including a wide variety of tessellations. This ended up being a really fun way to develop a template.Islamic geometric patterns are one of the major forms of Islamic ornament, which tends to avoid using figurative images, as it is forbidden to create a representation of an important Islamic figure according to many holy scriptures. Lots of bug fixes and encouragement as the testers tried different names and fonts.I had lots of helpful design feedback from Jill D. Improving the way the underlines look.Having the option to hide the top hanger to make it a sign instead of an ornament, as suggested by Jill D.Iterating on the default sizing with feedback from Amanda D.Resizing individual names with + and - in response to feedback from Jill D., Shelly L., and Pauline S.Putting the names in a specific order - for kids, parents, and grandparents - as suggested by Shelly L.Adding more options for the top icon, as suggested by Elle P.Some of the improvements that were made during this process: There were several folks in the group who were really excited to test this so I worked with them over the past week iterating the design. This originally came about as a request on the Friendliest Glowforge Facebook Group (thanks Stephanee C.!). Instead of the year, you can put any text, for example the family’s last name. 0:09 1× Repurposing the “year” for the family’s last name Each + or - increases or decreases the size of that particular name by 5%. You can put a + or a - at the end of any name to make it bigger or smaller. To do this, go to Advanced and uncheck autoSort. Sometimes you want to list the names in a specific order, for example listing kids by birth date or grouping kids, parents, and grandparents. I think by making a design parametric, you can more quickly experiment with a design - perusing through fonts, adjusting the letter spacing on the names, or reordering and resizing the names.īelow are a few things you can do with this template: Putting names in a specific order There’s even a feature to automatically sort the names by length □īut it’s not only about producing faster results. Instead of resizing, repositioning, welding, etc. I know some of you all are producing large batches of ornaments like these for holiday orders, so this is tuned for efficiency □ You can select a Star ⭐️, Snowflake ❄️, or Angel □ for the topper.
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